...an excerpt from...
Agape Agape
by William Gaddis
(2002)
How could, all going backward braced myself against that heap like a pillar of salt whole thing yes, the unswerving punctuality of chance, clock without the clockmaker perfectly simple in word and deed says Plato, God wouldn't lie or change because he's perfect so it's God God God, virtue and beauty and no mad or senseless person can be God's friend no, make yourselves eunuchs for the kingdom of heaven's sake says Tolstoy, nothing senseless about that is there? Strive for absolute chastity for the good of the neighborhood whole purpose of life to be part of God's kingdom only way to get there's absolute chastity, husband and wife live like brother and sister nothing mad about that is there? Dress up like a muzhik float around the house look like Noah's Ark whole performance out of the greatest fiction ever created, take God out of the equation you've got nothing left not even love no, had that somewhere if I had that letter Wagner wrote to Rockel where love's lost sight of because everything we do, think, take and give is in fear of the end, the greatest most desperate fiction of the afterlife ever created yes, the denial of death, what this whole mad escapade's all about, isn't it Levochka? Good God how you fight it! Your man Pozdnyshev in The Kreutzer Sonata wallowing in the slime of debauchery he tells us, keeps stripping away the fictions right down to what it's really all about and then he can't face it, not just love no, only you, the choice of one man or woman over all the others says the lady on the train won't have it will you, Pozdnyshev. Supposed to be something noble and ideal but it's just something sordid that brings us down to the level of pigs. Natural? a natural human activity? No no no, eating's natural, something you enjoy but this is unnatural and loathsome, honeymoon's shameful and tedious, nothing sacred for us about marriage nothing to it but copulation, couple of months you've learned to hate the sight of each other ready to poison her or shoot yourself good God man, when you felt the blade go into her didn't what it's really all about stare you in the face? Some nonsense there about mankind following some ideal that's the fiction isn't it? What Plato's poets and honeyed muse are all about, you strip it clean stop short and run because you really know don't you, not like pigs and rabbits reproducing themselves as fast as they can but you hold it at arm's length, even say animals seem to know their offspring mean survival of the species while you wonder if life has a purpose and that's it isn't it! That you're being used, used, used, that you're being used by nature simply to perpetuate the family line, the social tribe, the white race, the species just like your pigs and rabbits and that's what you resent, what you hate, what you go through hell for and she knew it too didn't she? Knew what her body was for, like animals know yes and she knew you thought you owned her body, why you're terrified by a woman bearing down on you in a ballgown because you know those bare arms and shoulders, you know those breasts aren't just playthings she's offering to you posing as an instrument of pleasure but bigger the better there's gallons, there's the promise of gallons of survival of the species like a yes, like a huge brood mare. Pleasure yes, yes it's beautifully done jealousy and the whole un, unreasonable the whole madness...
Note: The novel's name is properly accented Agapē Agape, but I was having difficulty inserting the accent.
Showing posts with label Tolstoy. Show all posts
Showing posts with label Tolstoy. Show all posts
Thursday, April 18, 2013
Sunday, May 01, 2011
The riddles of life and death
...an excerpt from...
The Death of Ivan Ilyich
by Leo Tolstoy
(1886)
He removed his legs from Gerasim's shoulders, turned sideways onto his arm, and felt sorry for himself. He only waited till Gerasim had gone into the next room and then restrained himself no longer but wept like a child. He wept on account of his helplessness, his terrible loneliness, the cruelty of man, the cruelty of God, and the absence of God.
"Why hast Thou done all this? Why hast Thou brought me here? Why, why dost Thou torment me so terribly?"
He did not expect an answer and wept because there was no answer and could be none. The pain grew more acute again, but he did not stir and did not call. He said to himself: "Go on! Strike me! But what is it for? What have I done to Thee? What is it for?"
Then he grew quiet and not only ceased weeping, but even held his breath and became all attention. It was as though he were listening not to an audible voice, but to the voice of his soul, to the current of thoughts arising within him.
"What do you want?" was the first clear conception capable of being expressed in words, that he heard.
"What do you want? What do you want?" he repeated to himself.
"What do I want? To live and not to suffer," he answered.
Again he listened with such concentrated attention that even his pain did not distract him.
"To live? How?" asked his inner voice.
"Why, to live as I used to--well and pleasantly."
"As you lived before, well and pleasantly?" the voice repeated.
And in his imagination he began to recall the best moments of his pleasant life. But strange to say none of those best moments of his pleasant life now seemed at all what they had seemed then--none of them except his first recollections of childhood. There, in childhood, there had been something really pleasant with which it would be possible to live, if it could return. But the child who had experienced that happiness no longer existed, it was like a recollection of somebody else.
As soon as the period began which had produced the present Ivan Ilyich, all that had then seemed joys now melted away before his sight and turned into something trivial and often nasty.
The further he departed from childhood and the nearer he came to the present the more worthless and doubtful were the joys. This began with the School of Law. A little that was really good was still to be found there--there was light-heartedness, friendship, and hope. But in the upper classes there had already been fewer good moments. Then during the first years of his official career, when he was in the service of the governor, some pleasant moments occurred again: they were the memories of his love for a woman. Then all became confused and there was still less of what was good; later on again there was even less that was good, and the further he went the less there was. His marriage, a mere accident, then the disenchantment that followed it, his wife's bad breath and her sensuality and hypocrisy: then that deadly official life and those preoccupations about money, a year of it, two, ten, twenty, and always the same thing. The longer it lasted the more deadly it became. "It is as if I had been going downhill while I imagined I was going up. And that's really what it was. I was going up in public opinion, but to the same extent life was ebbing away from me. And now it's all over and there's only death.
"Then what does it mean? Why? It can't be that life is so senseless and horrible. But if it really has been so horrible and senseless, why must I die and die in agony? There's something wrong!
"Maybe I didn't live as I ought to have done," it suddenly occurred to him. "But how could that be, when I did everything properly?" he replied, and immediately dismissed from his mind this, the sole solution of all the riddles of life and death, as something quite impossible.
"Then what do you want now? To live? Live how? Live as you lived in the law courts when the usher proclaimed 'The judge is coming!' The judge is coming, the judge!" he repeated to himself. "Here he is, the judge. But I'm not guilty!" he exclaimed angrily. "What is it for?" And he ceased crying, but turning his face to the wall continued to ponder on the same question: Why, and for what purpose, is there all this horror? But however much he pondered, he found no answer. And whenever the thought occurred to him, as it often did, that it all resulted from his not having lived as he ought to have done, he recalled at once the correctness of his whole life and dismissed so strange an idea.
The Death of Ivan Ilyich
by Leo Tolstoy
(1886)
He removed his legs from Gerasim's shoulders, turned sideways onto his arm, and felt sorry for himself. He only waited till Gerasim had gone into the next room and then restrained himself no longer but wept like a child. He wept on account of his helplessness, his terrible loneliness, the cruelty of man, the cruelty of God, and the absence of God.
"Why hast Thou done all this? Why hast Thou brought me here? Why, why dost Thou torment me so terribly?"
He did not expect an answer and wept because there was no answer and could be none. The pain grew more acute again, but he did not stir and did not call. He said to himself: "Go on! Strike me! But what is it for? What have I done to Thee? What is it for?"
Then he grew quiet and not only ceased weeping, but even held his breath and became all attention. It was as though he were listening not to an audible voice, but to the voice of his soul, to the current of thoughts arising within him.
"What do you want?" was the first clear conception capable of being expressed in words, that he heard.
"What do you want? What do you want?" he repeated to himself.
"What do I want? To live and not to suffer," he answered.
Again he listened with such concentrated attention that even his pain did not distract him.
"To live? How?" asked his inner voice.
"Why, to live as I used to--well and pleasantly."
"As you lived before, well and pleasantly?" the voice repeated.
And in his imagination he began to recall the best moments of his pleasant life. But strange to say none of those best moments of his pleasant life now seemed at all what they had seemed then--none of them except his first recollections of childhood. There, in childhood, there had been something really pleasant with which it would be possible to live, if it could return. But the child who had experienced that happiness no longer existed, it was like a recollection of somebody else.
As soon as the period began which had produced the present Ivan Ilyich, all that had then seemed joys now melted away before his sight and turned into something trivial and often nasty.
The further he departed from childhood and the nearer he came to the present the more worthless and doubtful were the joys. This began with the School of Law. A little that was really good was still to be found there--there was light-heartedness, friendship, and hope. But in the upper classes there had already been fewer good moments. Then during the first years of his official career, when he was in the service of the governor, some pleasant moments occurred again: they were the memories of his love for a woman. Then all became confused and there was still less of what was good; later on again there was even less that was good, and the further he went the less there was. His marriage, a mere accident, then the disenchantment that followed it, his wife's bad breath and her sensuality and hypocrisy: then that deadly official life and those preoccupations about money, a year of it, two, ten, twenty, and always the same thing. The longer it lasted the more deadly it became. "It is as if I had been going downhill while I imagined I was going up. And that's really what it was. I was going up in public opinion, but to the same extent life was ebbing away from me. And now it's all over and there's only death.
"Then what does it mean? Why? It can't be that life is so senseless and horrible. But if it really has been so horrible and senseless, why must I die and die in agony? There's something wrong!
"Maybe I didn't live as I ought to have done," it suddenly occurred to him. "But how could that be, when I did everything properly?" he replied, and immediately dismissed from his mind this, the sole solution of all the riddles of life and death, as something quite impossible.
"Then what do you want now? To live? Live how? Live as you lived in the law courts when the usher proclaimed 'The judge is coming!' The judge is coming, the judge!" he repeated to himself. "Here he is, the judge. But I'm not guilty!" he exclaimed angrily. "What is it for?" And he ceased crying, but turning his face to the wall continued to ponder on the same question: Why, and for what purpose, is there all this horror? But however much he pondered, he found no answer. And whenever the thought occurred to him, as it often did, that it all resulted from his not having lived as he ought to have done, he recalled at once the correctness of his whole life and dismissed so strange an idea.
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